I’m organizing my Mementos posts in a separate blog so that the sub-tags are easier to manage. Check it out if you’re interested.
Reblogging for the afternoon crowd.
The old Memenots link was disorganized and impossible to use. The new blog/link system allows you to sort Mementos posts by a number of useful categories, including inspiration literature and photographs, place (Geneva, Edena, Greifswald, the Farm, etc.), and character.
To me, Sissy looks a lot like a modern woman dressing up in retro/vintage styles, because she’s so incredibly on-trend while still wearing the kind of widely available working-class clothes that show up in vintage stores in the 21st century. Marnie’s brand of femininity is such that she wears pretty much nothing but frothy, full-skirted dresses, which is actually a look that shows up at weddings and upper-crust social functions even today. Essentially, the idea of what we think of as super-feminine formalwear has not really changed in about sixty years. Sissy is part of the next generation of fashion-conscious girls, following inner-city London trends, going to mixed-race nightclubs and moving in with their boyfriends before they get married. Sissy wouldn’t look out of place in Camden in 2013. — Womenswear and The Hour at Hello, Tailor.
While we’re on the subject, can I just say that Sissy from The Hour always does a bang-up job of impersonating a Third Man Records employee?
For the last two years, I have been taking a couple photos at work every day to send to my family as a way of saying hello. I’m leaving this job in a week and a half, moving on to bigger and better things. I was going through my files and came across these photos. Very GPOY, but I am posting them because I think it’s a fascinating record of who I’ve been during this lovely experience we call graduate school.
Photos by Amelie Andrezel
When I take these out tomorrow, my hair will be unbelievably crinkly.
“I don’t know how to do this,” Ferdinand said. The books looked up at him from the floor, gruesome and gawking. He wanted more than anything to shut them.
“Approach me with joy,” Jordan said, looking pale on the bed, “Or not at all.”
“Is it that simple?” Ferdinand asked.
“Then I envy you,” Ferdinand continued. He took off his shirt and set it down on the divan.
“Life isn’t simple,” Jordan told him. “But this is.”
Ferdinand sat down beside her and put his hands on her bare shoulders. He thought about her elbows and her collar bones and the arch of her ribs. He thought of them in blue silk; he thought of them in charcoal tweed. She was always the same, underneath. It occurred to him then that he had only ever seen her naked.
“It isn’t simple,” he said at last. ”I am not simple. I will approach you with my anger and cowardice and fear and awe because they are mine. But I have never known a thing like joy and I won’t offer an imitation. Joy is yours. I won’t touch it.”
“You’re cleverer than I am,” Jordan said, looking up at him. ”Truer and more steadfast. Which of us will prevail?”
“I’ve already lost,” Ferdinand told her. ”Consider me an offering of supplication.”
“I won’t accept a concession,” she insisted.
He kissed her. Her lips were cool. They tasted more of questions than answers.
“We’re both conceding,” he said at last.
“Yes,” Jordan agreed. ”Those of us who are about to die salute you.”
“It’s madness,” Ferdinand said, seeing the way her eyes laughed at their own joke, “How beauty survives in a world like this.”
He kissed her again, then: her neck, her collar bones, the flat space between her breasts. Each motion of his lips was like a breath. He took her in through his nostrils, felt her go red in his lungs, pumped her out into his fingers and through the folds of his wrinkled brain. A feeling followed the wave in its wake. It was a rounded sensation, warm and wet and mild and pleasant.
Perhaps this was happiness. Perhaps this was joy.